Hope

Liu Wing Sheung

As a nature lover, the design of Master Liu’s copper mirror is inspired by tree trunks which can be seen everywhere when he wanders around the countryside, while the back of the mirror incorporates a paper folding design. 

As early as 3000 BCE, the use of bronze started to develop in China and bronze mirrors have played a significant role in reflecting, both literally and symbolically, the culture of the Chinese. They transcended their mere practical usage to become an important moral icon.  

 

STORY OF THE TRADITIONAL CRAFT

In Hong Kong, the traditional casting industry mainly produces copper or iron parts for machine components. Being the apprentice of Master Liu Wing Sheung, sculptor Fanson Lam hopes to bring copper casting to a new aesthetic level through the collaboration. He discusses the feasibility of his creative idea with Master Liu. With over fifty years of experience, Master Liu's craftsmanship carries Fanson's creation.

Harnessing his creativity as a sculptor, Fanson incorporates Master Liu’s traditional metal casting techniques into new designs. Through endless discussions and experimentations, their complementary skills continue to bring traditional metal casting techniques into contemporary objects in our daily lives. 

MAKING PROCESS

There are two major ways of casting: sand casting and lost wax casting. Liu specializes in the latter and the making process is as follows:

First, a sculpted clay model is covered with silicone gel, forming a mold after being air-dried. Liquid wax is poured into the mold and after cooling, the wax will harden to become the desired form. A complex form has to be divided into several parts and they are welded together to become a wax tree. 

The wax tree is then placed in a steel container where the plaster is poured into. Hardened plaster is heated so that all the wax wrapped around the plaster is melted and a hollow plaster mold is formed. 

Copper is melted at a high temperature of over 1000°C and injected into the plaster mold. The plaster mold is cooled by immersing in water, enabling the copper inside to solidify. The plaster is then removed and an oxidized patina could be created by dipping the work into a special chemical solution. After coloring and finishing, the work is heated repeatedly and coated with a wax layer to enhance durability.

 

Artworks from same series

OTHER WORKS FROM EXHIBITION

Lunar Luster

Fanson Lam

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Eternal Illumination: A Journey Through Time

Fanson Lam

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Silent Timekeeper

Fanson Lam

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The Cypress’s Whisper

Liu Wing Sheung

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Tribute

Liu Wing Sheung & Fanson Lam

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The Legacy of Time

Liu Wing Sheung & Fanson Lam

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眾裡尋她千百度

邱穎琛 & 吳茂蔚 & 郭斯恆

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Mahjong Wanderlust – Hong Kong Theme

Ricky Cheung & Karen Aruba & Andypoll Chan

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Seek Her in a Thousand Degrees

Brian Kwok & Clive Ng & Kiki Yau

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Restoration of Kai Kee Rooster Neon Sign

Wu Chi Kai & Brian Kwok

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Sternhalma

PAK & KC

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Arise in Gallops

Siu Ping Keung & Ken Chow

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Back to the Future

Fanson Lam & Jacky Lam

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Somewhere in Time

Cecilia Lai & Barnard Chan

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Bon Voyage

Liu Wing Sheung & Fanson Lam & Jacky Lam

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A Blessing

Lui Ming & Inkgo Lam

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Wood Tectonics-The Floral Pairs

Yip Chun Hang & Jesse Hao & Roy Ng

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Hong Kong Mosaic

Linus K & Chow Man

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The Passage

Wong Kin Hung & Jacky Lam

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Club Chair

Jonas Lutz

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Quiver Stool

Jonas Lutz

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Being Together (Sun & Moon)

Vivian Law & Justin Chan & Ken Chow

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Chamber of Time

Siu Ping Keung & Ken Chow

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Wood Tectonics-The Notch

Yip Chun Hang & Jesse Hao & Roy Ng

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The Array of Joints

Ken Chow

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Cabinet with Rattan Baskets

Cecilia Lai & Barnard Chan

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Vice-Versa

Lau Wai Cheong & Ken Chow

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Heliocentrism

Damian Boylan

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Wood Tectonics-The Stack

Yip Chun Hang & Jesse Hao & Roy Ng

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When & While

Kanok Wan

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Symphony of Weaves

Cecilia Lai & Barnard Chan & Ken Chow

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Yuwakashi (kettle)

Takeshi Fujii

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The Wishes of the Return

Liu Wing Sheung

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Craft-ligraphy

Wah Gor & Nathan Wong & Hazel Lee

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Streamline Sake Cups

Yasutaka Oohashi

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Yuwakashi (kettle)

Yasutaka Oohashi

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Swallow Incense Burner

Susumu Yotsukawa

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Round Peacock Incense Burner

Susumu Yotsukawa

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Silver Chrysanthemum Incense Burner

Susumu Yotsukawa

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Four Mythological Creatures Lid Lifters

Susumu Yotsukawa

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Guinomi Sake Cup ー Natural & Kurourushi ー WAN/ FUJI/ BAMBOO/ DON

Susumu Yotsukawa

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Whale

Yve Chan

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Kyūsu

Takeshi Fujii

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Hemp Leaf Pattern Tray

Ting For Chun

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Tea Caddy

Takeshi Fujii

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Copper Cooking Pot

Takeshi Fujii

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Yuen

Gamzar & Michael Yu

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Different Angles

Yve Chan

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Mirror

Fanson Lam

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Alembic Copper Still

Luk Shu-Choi and Luk Keung-Choi & Dimple Yuen & Ivan Chang

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The Guardian of Hope

Fanson Lam & Liu Wing Sheung

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Four Seasons

Peter Ng & Luk Shu-Choi and Luk Keung-Choi

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Re-united

Jimmy Hui & Yve Chan

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Sake Cup

Takeshi Fujii

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Flower Vase RAPPA SLIM

Susumu Yotsukawa

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Coffee Drip Pot

Takeshi Fujii

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Off Course

Tamotsu Nishimoto

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Teppachi Morikago

Tamotsu Nishimoto

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Takezaiku Basketry

Tamotsu Nishimoto

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Triangular Tray

Chen Yung Sheng

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Chrysanthemum Patterned Night Light

Chen Yung Sheng

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Boat-shaped Woven Fruit Basket

Chen Yung Sheng

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Moonlight Gardenia

Chen Yung Sheng

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The Dawn of Life – Tangle

Chen Yung Sheng

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Taiwan To Go!

Benjamin Wang

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Tea Leaf Storage Baskets (Tight-plaited and Sparse-plaited)

Benjamin Wang

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Picnic Basket

Benjamin Wang

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Lamp (Fruit Tray, Duck-feeding Bowl, Chicken Cage)

Benjamin Wang

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Copper Teapot with Woven Handle

Ting For Chun & Luk Shu-Choi and Luk Keung-Choi

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Hexagonal Chrysanthemum Pattern Coaster

Ting For Chun

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Coffee Filter

Ting For Chun

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Tea Funnel 

Ting For Chun

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Lantern

Ting For Chun

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Moon Halo

Ting For Chun

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Pavo

Dylan Kwok & Chan Lok Choi

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Reborn Merman

Jinno Neko & Cheung Foon

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Swirly

Lawrence Ting & Tuck Chong Sum Kee

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Emerald Lotus

Luk Shu-Choi and Luk Keung-Choi & Anthony So

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GO OUT with Guangcai

SingChin Lo & Joey Leung & Yuet Tung China Works

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Liberty of the Wind

Lam Duen Shan Ming

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Thousand Knots Qipao

Polly Ho

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